Pat Barker
Pat Barker WWI Trilogy
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* Regeneration
* Eye in the Door
* Ghost Road


     

Biography

Bibliography

Study Questions

Characters


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In 1917 Siegfried Sasson, noted poet and decorated war hero, publicly refused to continue serving as a British officer in World War I. His reason: the war was a senseless slaughter. He was officially classified "mentally unsound" and sent to Craiglockhart War Hospital. There a brilliant phsychiatrist, Dr. William Rivers, set about restoring Sassoon's "sanity" and sending him back to the trenches. This novel tells what happened as only a novel can. It is a war saga in which not a shot is fired. It is a story of a battle for a man's mind in which only the reader can decide who is the victor, who the vanquished, and who the victim.
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It is the spring of 1918, and Britain is faced with the possibility of defeat by Germany. A belaguered government and a vengeful public target two group as scapegoats: pacifists and homosexuals. Many are jailed, others lead dangerous double lives, the "the eye in the door" becomes a symbol of the paranoia that threatens to destroy the very fabric of British society.

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ghost.jpg (6481 bytes) Winner of Great Britain's highest literary award, the Booker Prize, The Ghost Road is the culminating masterpiece of Pat Barker's towering World War I fiction trilogy. The time of the novel is the closing months of the most senselessly savage of modern conflicts. In France, millions of men engaged in brutal trench warfare are all "ghosts in the making." In England, psychologist William Rivers, with severe pangs of conscience, treats the mental casualties of the war to make them whole enough to fight again. One of these, Billy Prior, risen to the officer class from the working class, both corageous and sardonic, decides to return to France with his fellow officer, poet Wilfred Owen, to fight a war he no longer believes in. Meanwhile, Rivers, enfevered by influenza, returns in memory to his experience studying a South Pacific tribe whose ethos amounted to a culture of death. Across the gulf between his society and theirs, Rivers begins to form connections that cast new light on his--and our--understanding of war.

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